My role centered on environment polishing, lighting, and shader work to seamlessly blend digital scenes with the physical set. I also contributed to the asset pipeline, ensuring smooth integration for this large-scale environment, and facilitated the Houdini-Unreal workflow for asset cleanup and crowd generation. In addition, I worked on cleaning and in-engine compositing of volumetrically captured crowd actors.

Thanks to a talented team and collaborative effort, we successfully brought 130,000 crowds into the Colosseum while maintaining high visual quality across the environment and lighting.